Keats Revision Activity |
| Using colours or numbers, join up the quotation, the poem it is from and the suggested area of use |
| Quotation |
Poem |
Area of Use |
| O Attic shape! Fair attitude with brede Of marble men and maindens over-wrought |
Lamia |
Miltonic language, Vale of soulmaking, Alliteration/consonance |
| The sedge has withered from the lake And no birds sing |
The Eve of St Agnes |
Social comment, Poetic inflection, Use of senses |
| And for them many a weary hand did sweat In torched mines and noisy factories |
Endymion |
Pleasure/pain paradox, Awareness of mortality |
| A thing of beauty is a joy forever; Its loveliness increases; it will never Pass into nothingness |
Ode on a Grecian Urn |
Hellenic revival, Keats' interest in sculpture, Use of texture |
| Do not all charms fly At the mere touch of cold philosophy? |
Ode to a Nightingale |
Permanence v. Transience, The role of poetry |
| ...he from forth the closet brought a heap Of candied apple, quince and plum and gourd, With jellies soother than the creamer curd |
La Belle Dame Sans Merci |
Personification, Use of texture |
| Deep in the shady sadness of a vale Far sunken from the healthy breath of morn |
Sleep and Poetry |
Keats' poetic ambitions |
| Now more than ever it seems rich to die To cease upon the midnight with no pain |
Isabella; or; the Pot of Basil |
Sense of loss, Use of pathetic fallacy |
| While barred clouds bloom the soft-dying day And touch the stubble plains with rosy hue |
Hyperion |
Fragility of the imagination. Reason v. Emotion |
| O for ten years that I may overwhelm Myself in poesy |
To Autumn |
Sensuous language, sexual references, links feasting with sexual appetite |